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- Full Name
- Jeremiah Teipen
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Spatiotemporal Interventions, Multi-Channel Sculptural Video Installation
- artiststudiomap
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540 President Street, Brooklyn, NY 11215
Enter through the side parking lot, down hallway past Brooklyn Art Cluster Studios and Brooklyn Neighborhood Arts Studios
- Studio Street Address:
- 540 President Street, Brooklyn, NY 11215
- Studio Street Address Detail
- Enter through the side parking lot, down hallway past Brooklyn Art Cluster Studios and Brooklyn Neighborhood Arts Studios
- Zip Code
- 11215
- Video
- 257 Date RecordedSeptember 24, 2026 11:17 pm VideoCaptionLabor of Likes: Terms of Service, 2025 Dimensions: Variable · Four-channel video with sound, interactive components embedded in foam flooring, microcontrollers and other electronic components An immersive installation that places the viewer inside a virtual environment emulating the wider interface between humans and spaces, physical, natural, cyber, and synthetic, connects “user” interactions to the work of serfs in a techno-futurist-feudalist economy. Labor of Likes parses human energy, machine energy, and the energies of natural processes, both micro and macro, to evaluate the benefit of the rise of cloud computing, its vast expanses of data centers consuming a seemingly endless sum of energy. The work consists of video projections covering the space. This projection is a digital simulation of a natural environment with trees, ground, skies, and raining flowers, although through a heavily mediated filter which distorts space, color, and movement. This mirrors the perceptual distortion we experience in virtual spaces where familiar interactions veil the manipulation of our sensorium in ways the natural environment never could. The two video monitors are control panels, of sorts. They are monitoring the mining of cryptocurrencies, the amount of energy consumed and carbon expenditure, the global heat index, among other things. The monitors are flashy with heart animations which is a means to communicate the connections between own interactions online, which are a sort of unpaid labor, and the entities who benefit from our labor. This dynamic is a techno feudalism where the lords own the serfs data and profit from their unpaid labor.256 Date RecordedSeptember 24, 2026 11:14 pm VideoCaptionExhibition Documentation255 Date RecordedSeptember 24, 2026 11:13 pm VideoCaptionThe New Nature of the Same Fakeness, 2025, 3-channel video installation254 Date RecordedSeptember 24, 2026 11:08 pm VideoCaptionLow-Hanging Inflatable Lawn Fruit 2026 Dimensions variable Sewn ripstop fabric, custom armatures, fans, LEDs, microcontroller, and microphone Humans' relationship to nature is complicated, and at times, weird. Inflatable lawn decorations embody this relationship, in which strange synthetic beings occupy a manicured outdoor plot. In "Low-Hanging Inflatable Lawn Fruit," alien forms, perhaps viruses or parasites, are growing from a tree. Similar to other flora, these forms react to external stimuli by changing in response to the sounds of their surroundings.253 Date RecordedSeptember 24, 2026 11:05 pm VideoCaptionFrom San Sèrvolo Island, Venice, to Governors Island, NYC Originally developed and presented at the Advanced Visual Interfaces conference in Venice, Italy, Always Controlled by What We Control is an interactive installation exploring how digital systems shape our perception, behavior, and beliefs. This expanded iteration, exhibited at the TAAC House on Governors Island, New York, places viewers in a hybrid physical/virtual space, shapes interactions in both expected and unexpected ways, positions viewers as both operators of the system and subjects within it, and asks how technologies such as algorithmic prediction systems are reshaping our experiences and understanding of reality.252 Date RecordedSeptember 24, 2026 10:55 pm VideoCaptionAnthropopocalypse 2026 14 feet 4 inches x 16 feet 5 inches x 10 feet 10 inches Three-channel video, interactive components, lighting, sound, packaging materials At the dawn of civilization, caves provided spaces for humans to develop both visual and sonic creation. Anthropopocalypse imagines a cave at the dusk of human civilization: an environment constructed from the non-recyclable packaging materials of online commerce, the physical residue of a consumption economy that has rendered the outside world uninhabitable. In this space of last refuge, viewers can interact with the stalactites and stalagmites to create generative sounds and simple volumetric 3D models called "primitives," and animated drawings become the cave paintings of this imagined future.
- Media
- Installation
- Resume
- teipen_cv_09_2026.pdf
- Contact
- Website
- jeremiah.teipen.com
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